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Weekend

Feb 14, 2005 A touchstone of Jean-Luc Godard‘s political period, the film plays with the idea of recording working-class history as it is happening.

Nov 11, 2002 A second Monterey International Pop Festival has for the past month been put in jeopardy by a vicious handful of citizens, cops, and city officials in a small-town drama straight from Peyton Place and The Invaders.

Jul 17, 2000 Designed to steam viewers’ glasses, Roger Vadim’s directorial debut boldly announced the arrival of Brigitte Bardot.

Mar 13, 2000 The following is excerpted from The Shifting Point, Peter Brook’s 1987 autobiography. All I wanted was a small sum of money, no script; just kids, a camera, and a beach. A young American, Lewis Allen, felt that private backers could...

Apr 26, 1999 At some point in their lives, probably every sleepless person has switched on the TV in the wee hours of a weekend morning and chanced upon a fishing show. Invariably, a beefy, half-forgotten retired athlete shares a boat with some...

Sep 23, 1993 Two men, one woman and a boy. French director Bertrand Blier fashions out of this bizarre love quadrangle a film of seamless beauty, high farce and, finally, haunting majesty. To experience Get Out Your Handkerchiefs is to watch a master...

The Big Chill

Essays

Mar 11, 1991 Lawrence Kasdan’s second directorial effort is a story about the sixties generation's idealism—as well as his most personal movie.

Repulsion

Essays

Jan 7, 1991 Roman Polanski’s riposte to Alfred Hitchcock’s Psycho was greeted as a brilliant, grisly potboiler that gave the thirty-two-year-old Polish filmmaker commercial entry to the West.

Dec 11, 1989 Previous rock-and-roll movies had been little more than showcases for the latest music, aimed at exploiting the youth market, cheaply made and melodramatic—then along came one of the most finely crafted films ever made about rock-and-roll.

Godard in Fragments

Visual Analysis

Feb 10, 2016 Regular Criterion Collection contributor :: kogonada explores the innovative cinematic lexicon Godard developed in the fifteen features he made between 1960 and 1967.

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