The Criterion Collection
Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.
Essays
Jul 12, 2011 — Naked is the angriest, most bitterly critical attack on the false values of society that Mike Leigh, Britain’s constant chronicler of the tragic comedy of desperate lives, has ever made. Its audacity is that the attack is mounted through a...
Dec 2, 2010 — Jacques Tati’s Playtime (1968) opens in a shiny space: nuns breeze past; a woman in a white uniform clacks through, bearing towels; a baby cries. People wait. The feeling is “hospital.” A second woman in white delivers towels, and we...
Jan 26, 2010 — "All roads lead to Rome Open City,” Jean-Luc Godard once said, playing on the old Italian proverb—and meaning, we can assume, that when thinking about modern cinema, one always has to come to terms with Roberto Rossellini’s seminal film. Indeed,...
Feb 16, 2004 — Ronald Neame’s Tunes of Glory (1960), which was widely admired when it was first released, has subsequently kept a low profile. This says more about critical attitudes and British film culture than it does about the quality of the movie....
May 26, 2003 — Transcription of a speech given by long-time Derek Jarman collaborator and friend, actress Tilda Swinton
The Daily
Nov 10, 2021 — Over time, the former child star learned to love his work.
The Daily
Nov 5, 2021 — Kenneth Branagh and Philip Barantini lead the race for this year’s British Independent Film Awards.
The Daily
Dec 29, 2020 — Alongside the traditional top tens, critics are offering imaginative pairings and lists of the best audiovisual essays and title sequences of the year.
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.