The Criterion Collection
Oct 26, 2011 — Performances The galumphing hulk who terrorized early sound cinema audiences in Frankenstein (1931) and The Mummy (1932), Boris Karloff was the movies’ politest monster. Even in his darkest on-screen moments, the London-born Karloff (né William Henry Pratt) exhibited a regal...
Essays
Sep 26, 2011 — No preconceptions. No rehearsals. No rules. Assayas's on-the-fly bio is exhilaratingly all over the map.
Features
Nov 9, 2009 — The following essay, written in October 1987, after the release of Wings of Desire, originally appeared in The Logic of Images, a collection of Wim Wenders’s writing that was published in 1992. In the last few years, since Paris, Texas, Berlin...
Essays
Sep 27, 1999 — In And the Ship Sails On, I needed a large exterior to paint, so I used the wall of the Pantanella pasta factory. It was where my father, Urbano Fellini, had worked when he passed through Rome on his way...
The Daily
May 20, 2025 — Cannes 2025: Sirāt and Two Prosecutors emerge as critical favorites, while Nouvelle Vague finds both champions and detractors.
The Daily
Sep 18, 2024 — We’re reading or anticipating new books from Pedro Almodóvar, Al Pacino, Werner Herzog, and Cher.
May 9, 2024 — With his new film slated to premiere in Cannes, Rasoulof faces his harshest sentence yet.
Aug 29, 2023 — Exalting Black women’s self-invention with DIY effervescence, Drylongso (1998) is a gorgeously generous study of friendship, creativity, violence, and survival. The multidisciplinary artist Cauleen Smith developed the idea for the project from her habit of taking Polaroid photographs. Shot on...
Essays
Jun 14, 2022 — Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.