The Last Hour

Dec 13, 2019 — A few years ago, Juliette said in an interview that she was building her filmography in disorder. This stayed with me for several reasons, firstly because it demonstrates a deep and intimate understanding of the way in which life and...

Dec 10, 2019 — Colleagues, students, and other admirers remember an essential figure of film and media studies.

Nov 12, 2019 — The Daytrippers came out in theaters in 1997, back when I was in graduate school at NYU. That was a year when you could rent videotapes everywhere—at Blockbuster, but also at a Laundromat or a bodega. There were still phone booths...

May 20, 2019 — Triple crosses follow double crosses in this slick crime thriller.

Jul 2, 2018 — Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.

May 21, 2018 — W hether she’s pushing herself to new heights on stage and screen or nurturing her passions as a painter and poet, Juliette Binoche is as creatively voracious now as she’s ever been. Her combination of strength and disarming vulnerability as...

Apr 11, 2018 — The Cannes Film Festival has announced the lineup for its seventy-first edition, running from May 8 through 19. Artistic director Thierry Frémaux has declared that this year’s Official Selection represents “a great renewal,” a new generation of filmmakers reflecting the...

Mar 7, 2018 — A Wrinkle in Time, the adaptation of Madeleine L’Engle’s 1962 science fiction classic, “directed by Ava DuVernay from a screenplay by Jennifer Lee and Jeff Stockwell, has been a long time coming,” writes A. O. Scott in the New York...

Feb 18, 2018 — “Nymphetmania has a long and hoary pedigree in Hollywood, and flourished years before Nabokov gave us the Lolita syndrome,” writes Molly Haskell in the Guardian. “D. W. Griffith’s child-woman ingénues such as Lillian Gish and Mae Marsh were ‘pseudo-nymphets’ (critic...

Feb 16, 2018 — “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identity with a film’s...