Report

May 20, 2022 — Critics take a first look at new films from James Gray, Felix van Groeningen and Charlotte Vandermeersch, Mia Hansen-Løve, Saela Davis and Anna Rose Holmer, and Pietro Marcello.

May 17, 2022 — A new restoration of The Mother and the Whore launches Cannes Classics before Final Cut officially raises the curtain.

May 10, 2022 — The director of Ex Machina and Annihilation returns, and many critics have questions.

May 5, 2022 — A coincidental set of screenings and openings almost seems to be responding to the impending reversal of Roe v. Wade.

May 4, 2022 — The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.

May 3, 2022 — A Melbourne Cinémathèque series of double bills spotlights Lang’s penchant for drilling into the darkest recesses of human nature.

Apr 28, 2022 — For half a century, the Indian documentarian has won accolades abroad while fighting censorship at home.

Apr 19, 2022 — Frank Tashlin directs Jayne Mansfield to her cartoonish limits in this outrageous showbiz satire that is a testament to the power of bad taste.

Mar 29, 2022 — The American Cinematheque in Los Angeles presents a dozen highlights from an astonishing career.

Mar 28, 2022 — At once euphoric and elegiac, Martin Scorsese’s concert documentary captures the members of the Band on the brink of spiritual and physical collapse as they mount their transcendent final send-off.