Only Good Things

Mar 26, 2012 — A Night to Remember, the 1958 British film adaptation of Walter Lord’s 1955 book about the brief life and agonizing death of the Titanic, has proven unsinkable. With its Olympian yet unfailingly life-size view of the disaster that scuttled illusions...

Mar 9, 2012 — The cinematographer tells us how he and Louis Malle went about shooting Vanya on 42nd Street in a decrepit Manhattan theater.

Feb 24, 2012 — The writer reflects on the decades-long creative collaboration and friendship between his father, playwright and television writer Elihu Winer, and John Voelker, judge and author.

Feb 23, 2012 — Author John Voelker (a.k.a. Robert Traver) met musician Duke Ellington on the set of Anatomy of a Murder; he wrote this piece about the experience for the Detroit News Sunday Magazine in 1967.

Jan 18, 2012 — Poto and Cabengo: Three-Part Harmony Jean-Pierre Gorin’s three Southern California movies are so militantly unclassifiable that terms like documentary or essay film seem as hopelessly out of sync with the recalcitrant and frequently exhilarating works themselves as a Marxist harangue in...

Dec 6, 2011 — The Lady Vanishes (1938) is the film that best exemplifies Alfred Htchcock’s often-asserted desire to offer audiences not a slice of life but a slice of cake. Even Claude Chabrol and Eric Rohmer, in their pioneering study of Hitchcock, for...

Nov 8, 2011 — Upon its release in the U.S. in 1983, the theatrical version of Ingmar Bergman’s Fanny and Alexander generated a wealth of controversy. Bergman has always seemed to breed conflict among cineastes (Phillip Lopate, for example, has written recently about the...

Oct 25, 2011 — The film is made up of a succession of small visions, observed and executed with apparent ease but thought through with such exquisite care and attention that the experience becomes overwhelming.

Oct 24, 2011 — “For a long time I stayed away from the Acropolis,” says the narrator of Don DeLillo’s novel The Names. “It daunted me, that somber rock. I preferred to wander in the modern city, imperfect, blaring. The weight and moment of...

Sep 19, 2011 — When Claude Chabrol’s first film, Le beau Serge, had its premiere at the 1958 Cannes Film Festival (out of competition), a fellow critic at Cahiers du cinéma, François Truffaut, wrote: “Technically, the film is as masterly as if Chabrol had...