The Criterion Collection
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Essays
Mar 17, 2016 — Decades later, Ingmar Bergman’s self-reflexive masterpiece remains a provocative enigma worthy of close investigation.
Essays
Feb 24, 2016 — Fifty years after its initial release, Antonio Pietrangeli’s I Knew Her Well is only now emerging as a dazzling peer of the classics of 1960s Italian cinema.
Oct 15, 2015 — Arnaud Desplechin stopped by for a visit and dispensed a few of his gems of wisdom.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Sep 21, 2015 — Krzysztof Kieślowski’s political and philosophical rumination, which marked an important turning point in the director's career, imagines a young man's life branching off in three possible directions.
Jun 17, 2015 — Taking the form of a casual conversation, Louis Malle’s film about transformative experiences is an outgrowth of its writer-stars’ experimental theater days.
Jun 1, 2015 — A legionnaire turned fruit seller misses out on Germany’s economic miracle in Rainer Werner Fassbinder’s breakthrough melodrama.
Feb 17, 2015 — It was never, of course, Yasujiro Ozu’s intention that An Autumn Afternoon (1962) should be the final film of his thirty-five-year career as a writer-director. Indeed, before he died on his sixtieth birthday, in December 1963, he had made notes...
Essays
Feb 11, 2015 — With its provocative ambiguities, tender compassion, and fragmented editing style, this supernatural classic is a pure dose of Nicolas Roeg.