The Criterion Collection
Mar 1, 2022 — The first film I saw at last year’s Morelia International Film Festival opens on the image of a freshly dug grave. Shovelfuls of earth fall into the open pit as two doctors stand above it, lamenting the loss of yet...
Mar 26, 2021 — In her hypnotic, uncategorizable films, the director serves as a channel for images that emerge from deep within her unconscious.
On the Channel
Jan 28, 2021 — Channel Calendars We’re thrilled to be celebrating Black History Month on the Criterion Channel with a lineup that salutes African American filmmaking pioneers like Gordon Parks and Madeline Anderson, spotlights the brilliant career of actor and activist Ruby Dee, presents...
Jan 27, 2021 — Since launching in 2016, the Digital Transgender Archive has functioned as an international collaboration among more than sixty colleges, universities, nonprofit organizations, public libraries, and private collections. Gathering a wide range of trans-related materials, including photos, magazines, newspaper clippings, and newsletters,...
Dec 8, 2020 — Swiss-Moroccan filmmaker Halima Ouardiri’s short documentary Mutts is a captivating portrait of a shelter for stray dogs in Morocco, elegantly shot in a sunbaked color palette of rich golds and browns. The film, which makes its premiere on the Criterion Channel this week in...
Nov 26, 2019 — In a key scene of the beloved Bette Davis film Now, Voyager (1942), the heroine goes to dinner on a cruise ship wearing a cloak decorated with fritillaries. A fritillary is a spangled butterfly, and the scene signals that Charlotte...
Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
Essays
Jun 17, 2018 — The stakes are high. An unknown entertainer newly arrived in a foreign country prepares for her first performance, under pressure to make a hit with a restless, rowdy audience. It is a hot night; the crowd exudes a collective humidity,...
Apr 2, 2018 — The director of Love After Love examines the emotional subtlety of Maurice Pialat’s camera work in a pivotal scene in the 1983 masterpiece À nos amours.