Dead Man

Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.

Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.

Jan 8, 2013 — The two movies that opened the door to “youth culture” in Hollywood, The Graduate and Easy Rider, were milestones, to be sure. But can it really be said that they were milestones in the art of cinema? “I think The...

Dec 11, 2012 — Cinema is both an educational tool and a vessel for kinetic, avant-garde expression for filmmaker and activist Godfrey Reggio.

Dec 5, 2012 — The following is excerpted from an interview that originally appeared in the February 1, 1981, issue of L’avant-scène: Cinéma. It was conducted by Olivier Eyquem and Jean-Claude Missiaen. Eyquem is a documentalist and former staff member at Positif; he blogs...

Dec 4, 2012 — Misunderstood by Hollywood, embraced by critics, this fatalistic fantasy remains Terry Gilliam’s ultimate trip.

Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.

Nov 13, 2012 — With this frenetic cinematic fresco, Pasolini began his Trilogy of Life and its forays into a world as yet unspoiled by capitalism.

Oct 30, 2012 — All of them actors? Nearly everyone wears a mask in Roman Polanski’s devilishly clever work of horror.

Sep 26, 2012 — Countercultural icons Paul Bartel and Mary Woronov makes square subversive in Bartel’s cult classic.