The Criterion Collection
Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.
The Daily
Nov 21, 2022 — Straub and his life and filmmaking partner Danièle Huillet have been described as “cinema’s conscience.”
Nov 16, 2022 — After glimpsing his great-great-grandfather on-screen, a writer searches for the history of a landmark silent film.
The Daily
Nov 15, 2022 — An ongoing series spotlights films by women directors made in eastern Europe during the Soviet era.
Nov 15, 2022 — A box-office success that buoyed Hong Kong’s beleaguered movie industry in the early 2000s, this suite of crime films combines narrative intricacy and moral complexity with an abundance of megastar charisma.
The Daily
Nov 14, 2022 — Most reviewers are getting a kick out of Tarantino’s blend of memoir and film criticism.
The Daily
Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.
Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.
The Daily
Nov 4, 2022 — New Senses of Cinema! We’re also reading about John Garfield, Anna Karina, Asghar Farhadi, and Mike Leigh.
Nov 2, 2022 — The director of Samson and Delilah and Sweet Country discusses his formative artistic encounters, his eclectic professional background, and on-screen Indigenous representation.