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Nov 27, 2018 — With The Magnificent Ambersons, Orson Welles created a model of period filmmaking, lightly deploying historical signifiers while focusing on the haunting power of his actors’ faces.

Nov 22, 2018 — Family movies, Wellesian moments, and the female gaze are among this week’s highlights.

Nov 19, 2018 — Taipei hosts an evening of surprises and controversy.

Nov 18, 2018 — Ingmar Bergman scholar Peter Cowie explores how the great actor’s authoritative screen presence allowed him to embody the director’s fears and ideals.

Nov 18, 2018 — A performer of great psychological force and control, Ingrid Thulin embodied some of Ingmar Bergman’s darkest obsessions with her intimidating screen presence.

Nov 15, 2018 — If you loved the adventurous curated programming we’ve been doing with our friends at FilmStruck, we have good news for you.

Nov 13, 2018 — Turning to theater for inspiration, Kenji Mizoguchi transformed a popular eighteenth-century play into a spiritually charged meditation on forbidden love and societal oppression.

Nov 9, 2018 — This week has seen appreciations of such disparate figures as Ida Lupino, André Bazin, and F. J. Ossang.

Nov 7, 2018 — Over on the Criterion Channel on FilmStruck, we’ve always taken to heart that old adage about good things coming in small packages. Through our Short + Feature pairings, we’ve thrown the spotlight on some of the short films that have...

Nov 2, 2018 — The branding of Bergman, the arrival of The Other Side of the Wind, and more highlights of the week.