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In Gefahr und größter Not bringt der Mittelweg den Tod

Apr 5, 2018 “Isao Takahata, who co-founded Studio Ghibli with Hayao Miyazaki in 1985, has died at eighty-two, according to Yahoo! Japan.” Michael Nordine for IndieWire: “Takahata was a revered director in his own right, helming such animated classics as Grave of the...

Apr 4, 2018 On what would have been his eighty-sixth birthday, we’re celebrating Andrei Tarkvosky’s legacy with a look back at some of the essays and videos we’ve published on his work.

Mar 30, 2018 Our editions of Martin Scorsese’s The Age of Innocence and Edward Yang’s Yi Yi reach the UK this week.

Mar 28, 2018 Even if you won’t be anywhere near Ghent from today through Sunday, you’ll want to know about the Courtisane Festival. The program for this year’s edition alone will likely have you making mental notes on films to add to your...

Mar 27, 2018 New German Cinema filmmaker Margarethe von Trotta shares her memories of working with Rainer Werner Fassbinder on the set of Volker Schlöndorf’s 1970 film Baal.

Mar 26, 2018 This is going to be an eventful week, and we can look forward to separate entries (New Directors/New Films, for example, opens on Wednesday) and more special screenings over the coming days. Let’s get started. New York. Screen Slate presents...

Mar 22, 2018 Composer Richard Einhorn talks about conceiving the oratorio Voices of Light, which has often accompanied Carl Theodor Dreyer’s he Passion of Joan of Arc over the past quarter century.

Mar 20, 2018 New York. The seventeenth Tribeca Film Festival, running from April 18 through 29, “will celebrate the anniversaries of Brian De Palma’s Scarface, Steven Spielberg’s Schindler’s List, and Alexandre Rockwell’s In the Soup, bringing three cinematic treasures back to the big...

Mar 19, 2018 New York. On Friday and Saturday, Anthology Film Archives pairs Forough Farrokhzad’s The House Is Black (1962) and Abbas Kiarostami’s The Wind Will Carry Us (1999). As Jeva Lange notes at Screen Slate, House “was shot at a leper colony...

Mar 16, 2018 Martin Scorsese talks with critic Kent Jones about some of the techniques that helped bring the film’s depiction of Gilded Age Manhattan to life.

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