The Criterion Collection
The Daily
May 19, 2018 — Talky, dense, and long, the follow-up to the Palme d’Or-winning Winter Sleep is also visually splendorous.
The Daily
May 18, 2018 — And Sergei Loznitsa wins the best director award for Donbass.
The Daily
May 16, 2018 — Critical reception is subdued compared to the raves for Happy Hour (2015).
The Daily
May 16, 2018 — Joachim Trier’s jury goes for a satire about a Portuguese soccer star.
May 15, 2018 — Critics come down hard on this portrait of a serial killer, but the film does have its champions.
The Daily
May 14, 2018 — A fable, a social critique, and a frontrunner for the top prize.
The Daily
May 14, 2018 — A favorite at Cannes, the Spanish director returns with one of his best features yet.
The Daily
May 14, 2018 — Few critics come to the defense of this story of an all-female Kurdish combat unit.
The Daily
May 13, 2018 — Critics may differ on Jia’s sprawling gangster movie, but all agree that Zhao Tao is outstanding.
Visual Analysis
May 9, 2018 — Under the Influence In 1988, David Simon was a journalist shadowing detectives at the Baltimore Police Department for his first book, Homicide: A Year on the Killing Streets. On midnight shifts, one of the sergeants would regularly screen movies for his squad,...