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Jun 28, 2019 — This week’s highlights include an oral history of one of Kubrick’s most challenging sequences and reviews of the latest works from Béla Tarr and Paul Thomas Anderson.

Jun 27, 2019 — Early reviews of the Hereditary director’s second feature may be mixed, but everyone agrees that it’s quite a trip.

Jun 20, 2019 — Film series around the world are making this year’s Pride Month especially loud and proud.

Jun 20, 2019 — When French auteur Bruno Dumont emerged on the film-festival circuit at the end of the 1990s with his debut feature, La vie de Jésus, and his Cannes-award-winning international breakthrough L’humanité, he immediately polarized audiences with his pitiless vision of human...

Jun 12, 2019 — Some of the best new independent films of the past year are lined up for the eleventh edition.

Jun 5, 2019 — No filmmaker blazed more trails than Dorothy Arzner. In 1928, after making a handful of silents, Arzner became the first woman to direct a Hollywood sound film (Manhattan Cocktail), and a decade later she joined the Directors Guild of America...

May 30, 2019 — It was more than three decades ago, in early 1986, that David Lynch arrived in Wilmington, North Carolina, to begin shooting his fourth feature, Blue Velvet. The surreal and emotionally overpowering neonoir that began to take shape there would go on to become...

May 24, 2019 — From the delicate ennui of 2003’s Tokyo-set Lost in Translation through the languorously evoked nineteenth-century South of 2017’s The Beguiled, Oscar winner Sofia Coppola has, over the last two decades, established herself as one of contemporary cinema’s most stylistically adept and...

May 22, 2019 — Claudia Weill, the director of the landmark independent film Girlfriends (1978), first knew she wanted to make movies in college, after a summer job on a set opened her eyes to the fully immersive process of filmmaking. But it was...

May 21, 2019 — Malick’s rendering of the true story of a conscientious objector has split the critics.