The Criterion Collection
Essays
Oct 16, 2006 — Lodge Kerrigan’s grim, lucid dispatch from the murky depths of madness situates itself inside the tormented consciousness of a schizophrenic.
Aug 14, 2006 — The Bakery Girl of Monceau and Suzanne’s Career are not Eric Rohmer’s first films. By 1963, he had made several shorts and one feature, Le signe du Lion. Yet these two short works—with their meticulously charted Paris locations; their semidocumentary...
Dec 6, 2004 — In his first freestanding biblical epic, Cecil B. DeMille recognized and revered a profound quality in the American soul—its ability to leap over every contradiction through an invincible sense of its own righteousness.
Essays
Feb 2, 2004 — A story about defeat and failure, Robert Bresson’s masterpiece is a milestone in the slow process of the liberation of postwar French cinema
Apr 28, 2003 — François Truffaut’s short Antoine Doinel film exposes an entire universe of male adolescent experience.
Essays
Nov 26, 2001 — Peter Weir’s first film to be released in America insists on the tangible power of spiritual life.
Apr 23, 2001 — A majestic synthesis of disparate forms, Sergei Eisenstein’s final film seems to be as much a ballet or a moving painting as it is a movie.
Dec 18, 2000 — Elegant humor cloaks despair in Luis Buñuel’s masterwork, wherein greedy characters flee their toxic lives and find refuge in the loneliness of dreams.