Jan 11, 1994 A harrowing nightmare about life in inner-city hell, this 1993 sleeper-hit is a powerhouse filmmaking debut by the Hughes brothers.

Jun 7, 1993 For as long as images have flickered on a screen, romance has been the ever-beating heart of the filmgoing experience, and audiences never seem to tire of seeing lovers in each other’s arms. Yet when it comes to the most...

Mar 9, 1992 The ads for Boyz N the Hood, the debut of a 23-year old writer-director named John Singleton, treated the film as if it took place in another galaxy—a mysterious fiefdom far, far away. And so it does, set in a...

Nov 13, 1991 Richard Lester’s Help! was the first of a new kind of rock-and-roll movie which altered the shape, face, and form of rock music. Before Help!, most of the rock-and-roll genre movies were simple, self contained films conceived in the narrowest...

Jan 28, 1991 The following review, one of the most renowned in the history of film criticism, appeared in The New Yorker magazine on October 28, 1972. It is reprinted with the permission of the author, Pauline Kael. Bernardo Bertolucci’s Last Tango in...

May 31, 1990 Isabelle Huppert shot from minor actress to full-fledged French star with a mesmerizing performance as, ironically, a young woman who is incapable of escaping anonymity. In Swiss director Claude Goretta’s elegant, beautifully observed tragedy/character study, Huppert is “Pomme,” a lovely,...

Lola Montès

Essays

Nov 10, 1986 Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

Mar 24, 2017 Did You See This? In anticipation of the Twin Peaks revival set to debut on Showtime in May, GQ spends time with the infamously elusive David Lynch and compiles some awestruck testimonials from his frequent collaborators, including Laura Dern, Kyle...

Feb 21, 2025 The pioneer of African cinema carried “the inventive temperament of a dreamer armed with a firm political orientation.”

Jan 21, 2022 This week: Sundance at thirty and Ways of Seeing at fifty, plus the Márta Mészáros and Bill Morrison retrospectives and a new Cinema Scope.

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