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Nov 3, 2016 — The George Eastman Museum screens John Frankenheimer’s 1962 psycho-political thriller in anticipation of election night.

Oct 7, 2016 — The Brooklyn Rail has published a conversation between Roberto Rossellini and Salvador Allende, prefaced with an introduction by Jonas Mekas, who received the original transcript from Rossellini in the early seventies. For MUBI, Daniel Kasman explores the newly restored early...

Sep 29, 2016 — Ciné, in Athens, Georgia, screens Roman Polanski’s 1968 occult masterpiece, starring Mia Farrow as a woman who believes her husband and elderly neighbors are involved in a satanic plot against her and her unborn child.

Sep 22, 2016 — As part of a two-month series highlighting Yasujiro Ozu’s late-career work, the Pacific Film Archive is showing Equinox Flower, a family drama about a conservative father and his rebellious daughter, who refuses to accept his plans for her arranged marriage.

Sep 11, 2016 — On his seventy-sixth birthday, we’re celebrating the work of Hollywood enfant terrible Brian De Palma, whose iconoclastic five-decade career has encompassed an astonishing array of genres, including erotic thriller, war drama, and science fiction.

Sep 9, 2016 — To celebrate the release of this revelatory self-portrait that weaves together footage from Johnson’s twenty-five-year career as a globetrotting documentary cinematographer, we’ve compiled a selection of writing about the film.

Jul 20, 2016 — In his staggeringly ambitious masterwork A Touch of Zen, Chinese filmmaker King Hu imbues dynamic scenes of combat with balletic grace and audacious stylistic experimentation.

Jun 30, 2016 — Repertory PicksThis weekend, take a respite from the summer heat by heading over to Manhattan’s Metrograph theater for a screening of Agnès Varda’s 1969 film Lions Love (. . . and Lies). Made during Varda’s years living in California with...

Jun 30, 2016 — In Olivier Assayas’s 2014 film Clouds of Sils Maria, Juliette Binoche and Kristen Stewart play out a story centered on the complexities of female relationships, the making and undoing of boundaries between people, and our anxieties about the passage of...

Jun 30, 2016 — The film is is a high-water mark in the careers of its director, actors, and cowriter. But for design nerds, the contributions of Pablo Ferro, who designed the film’s iconic opening credit sequence, are just as notable.