The Criterion Collection
The Daily
May 8, 2026 — Film Comment relaunches, Richard Kelly writes, Lynne Ramsay prepares, and in 1976, Roberto Rossellini talked.
Apr 29, 2026 — Deep Dives You look at Rainer Werner Fassbinder’s The Third Generation (1979), and you see the snarky, risky spirit of the New Wave movements that emerged around the world in the 1960s and ’70s in full, defiant bloom. But what...
The Daily
May 9, 2025 — Voices come in pairs this week: Jia Zhangke and Zhao Tao, Daney and Rivette, Patrick Bateman and his fans.
Mar 25, 2025 — Unfettered by the precepts of bourgeois morality and the nuclear family, the characters in Alan Rudolph’s romantic drama struggle to find happiness as they navigate love’s whims and ambiguities.
Essays
Feb 18, 2025 — In her mainstream breakthrough, director Joan Micklin Silver envisions New York City through the eyes of a complicated, searching woman trying to figure out her place in the world.
Dec 10, 2024 — In this brilliant adaptation, Joel and Ethan Coen find a kindred spirit in novelist Cormac McCarthy, whose abiding themes—including destiny, the American West, and the contest between our better natures and our survival instinct—mirror their own.
Nov 22, 2022 — Deeply influenced by the classics of silent-era comedy, this vision of a postapocalyptic future celebrates cinema as a universal language that offers us a sense of common ground.
Production Notes
Jan 28, 2022 — 1. In 1995, director Lars von Trier contacted Thomas Vinterberg, whom he considered the most promising young Danish filmmaker. (Vinterberg had then not yet made his first feature film, The Biggest Heroes, but had directed two well-regarded shorts, Last Round...
Nov 22, 2021 — Songbook Tootsie is a film about love and desire. Audiences are prone to forgetting this amid the controversies that have arisen around its gender-crossing conceit. Back in 1982, the film emerged as one of the decade’s prestige comedies: it was...
Features
Jul 9, 2021 — A raucous, fast-talking diva, the actor had a remarkable ability to convey both glamour and silliness, a gift that made her the queen of screwball comedy before her untimely death in 1942.