The Criterion Collection
Apr 17, 2012 — When it was first released in 1977, ¡Alambrista! depicted something previously unseen in American fiction films—the lives of undocumented Mexican immigrants from their point of view. Though writer-director-cinematographer Robert M. Young was not Latino and didn’t speak Spanish, his film convincingly...
Jan 17, 2005 — Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.
May 21, 2020 — Judy O’Brien, a ballerina working in a burlesque show to make ends meet, has finally had enough. In the middle of an especially humiliating performance, the audience’s jeering reaches such a peak that she stops, walks down center stage, hands...
Aug 17, 2009 — Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles is Chantal Akerman’s masterpiece, a mesmerizing study of stasis and containment, time and domestic anxiety. Stretching its title character’s daily household routine in long, stark takes, Akerman’s film simultaneously allows viewers to...
Dec 6, 2019 — Coaxed out of retirement, the actor and singer is winning plaudits for his powerfully understated performance in The Irishman.
Sep 11, 2025 — For J. Hoberman, the film “more than makes the case for Fonda’s centrality in the American imaginary.”
The Daily
Jul 28, 2025 — The ICA showcases the Argentine collective with screenings of six of their more than two dozen films.
The Daily
Jul 23, 2024 — The festival will premiere new work from Pedro Almodóvar, Alice Rohrwacher, Alfonso Cuarón, and Athina Rachel Tsangari.
The Daily
May 21, 2024 — The reviews are in for Caught by the Tides, Emilia Pérez, and The Substance.
Feb 9, 2021 — Renowned for his work with Fellini, Visconti, and Bob Fosse, Rotunno was the first non-American to join the American Society of Cinematographers.