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Jun 19, 2006 Decades after its backyard birth, Jack Woods’s DIY horror movie has forged a model of inspiration for succeeding generations of effects artists and low-budget filmmakers.

Apr 17, 2006 In the absence of a finished, definitive edit of Orson Welles’s enigmatic project, three writers dive into the unsolvable mystery of the film and the different versions presented in the Criterion edition.

Mar 27, 2006 The Italian drama marked the first full blossoming of director Vittorio De Sica and screenwriter Cesare Zavattini’s ongoing collaboration.

Jul 25, 2005 Seijun Suzuki’s drama sees sexuality as a potent anarchic force that, in its implacable selfishness, brushes aside any sort of order or discipline.

Sep 13, 2004 About a year and a half ago, a friend and I found ourselves exiled to a cold Midwestern city, where we spent most of our time missing the lazy Texas college town that shaped our idea of the good life....

Night and Fog

Essays

Jun 23, 2003 Alain Resnais’s antidocumentary never purports to “document” the heinous realities of the Holocaust; instead, it interrogates our responses.

Apr 28, 2003 François Truffaut’s third Antoine Doinel installment is a perpetual juggling act by which harsh truths are disguised as light jokes.

Feb 14, 2002 Robert Bresson’s second feature is fixed in history as one of the movies that heralded an austere, modernistic way of seeing and feeling.

Better Parts

The Daily

May 22, 2026 This week brings a look back at Cronenberg’s Crash and conversations with Boots Riley and Wallace Shawn.

Aug 28, 2019 1. Before he became a filmmaker, D. A. Pennebaker’s ambition was to play stride piano like Fats Waller. “What changed your mind?” I asked him. “Well,” Penny replied, “after I saw Fats play . . . ” Penny would have...

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