The Criterion Collection
The Daily
Oct 16, 2019 — This month’s round includes new critical assessments of Bresson and Rohmer, Hollywood memoirs, and interviews with living legends.
Essays
Oct 15, 2019 — Born in Denmark to a wealthy family in 1879, Benjamin Christensen dropped out of medical school to receive training as an opera singer, only to lose his singing voice to what was diagnosed as an incurable nervous illness. He then...
The Daily
Oct 11, 2019 — Highlighted this week are an alternative history, the state of the documentary, and the influence of Antonioni and Pialat.
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Oct 1, 2019 — Charlie Chaplin’s sidesplitting The Circus, the last movie he made during the silent era, is a true testament to the man’s genius, not only as a comedian in front of the camera but also as a director behind it. The...
The Daily
Sep 25, 2019 — Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.
Sep 16, 2019 — In a dark moment, Laurence Olivier often reached for a laugh. His lofty, somewhat burdensome reputation as his century’s greatest dramatic actor belies the mercurial essence of his craft, which was to seize upon the humanity in each of his...
Sep 12, 2019 — A new web resource spearheaded by Su Friedrich celebrates women editors from around the world, highlighting work that has long been obscured by the masculinism of auteurist film culture.
The Daily
Sep 11, 2019 — Following his landmark collection of photographs, The Americans, Frank made essential films about the Beats, the Stones, and his own personal tragedies.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.