[REC]²

Jul 13, 2022 — Martin Scorsese’s long-gestating boxing opus—one of the last films on which he enjoyed unequivocal studio support—emerged from a Hollywood in transition.

Jul 8, 2022 — This week: Juliette Binoche’s work with Krzysztof Kieślowski and Claire Denis, post-Berlin School German cinema, and Tom Cruise’s “immaculate superstardom.”

Jul 5, 2022 — Bong Joon Ho’s fantasy blockbuster explores the follies of global capitalism through the lens of the meat industry—and a young girl and her “superpig” best friend.

Jul 5, 2022 — A Reverse Shot roundtable and the new issue of Cinema Scope delve into Crimes of the Future.

Jun 29, 2022 — A fresh round on biographies and studies of filmmakers and actors as well as a few novel ideas and critical collections.

Jun 29, 2022 — This month on the Channel brings a collection of boxing movies, a survey of film noir steeped in expressionistic color, and a tribute to the classic Hollywood director Henry King.

Jun 23, 2022 — The showcase of independent films from around the world returns as an in-person event for the first time since 2019.

Jun 21, 2022 — By centering an empowered Black hero, Gordon Parks reimagined the detective genre and exposed its racial politics.

Jun 21, 2022 — Two eras of Hong Kong history collide in this exquisite ghost story, which solidified director Stanley Kwan’s status as one of cinema’s truest romantics.

Jun 15, 2022 — The graphic designer behind our covers for Diabolique and The Tin Drum takes us inside his Baltimore studio and his idea-driven creative process.