The Criterion Collection
Mar 25, 2013 — Robert Bresson’s prison-break story is a tale of religious faith and a work of striking purity.
Mar 22, 2013 — Did You See This?• Fifty awesome openers—but 8½’s the best of all. • Pam Grier, Federico Fellini, and fried pigeon—all in one story • Restored silent Hitchcock coming our way • The incredible true adventures of Budd Schulberg and Leni...
Sneak Peeks
Mar 19, 2013 — A distinctive trait of the films of Terrence Malick is the artful way they employ narration. Sometimes the voice-over is dreamy (Sissy Spacek’s in Badlands), sometimes it’s disarmingly concrete (Linda Manz’s in Days of Heaven), sometimes it comprises audacious, poetic...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
Sneak Peeks
Mar 14, 2013 — Ministry of Fear, now available for the first time on DVD and Blu-ray in the U.S., was the eighth film Fritz Lang made in Hollywood after emigrating from Germany in 1936. It was also, as author Joe McElhaney (The Death...
Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.
Mar 12, 2013 — Working in America, German master Fritz Lang contributed to the anti-Nazi effort with this nightmarish, surreal tale of espionage.
Short Takes
Mar 5, 2013 — Today we tip our hats to the debonair, mischievous Rex Harrison, born on March 5, 1908. Perhaps remembered best for his role as the arrogant impresario Henry Higgins in My Fair Lady, the 1964 movie musical version of Pygmalion, Harrison...
Sneak Peeks
Feb 28, 2013 — Chronicle of a Summer, a sui generis 1961 collaboration between sociologist Edgar Morin and documentary filmmaker and anthropologist Jean Rouch, is considered a pioneering work of cinéma-vérité. That term—coined by Morin himself—gets thrown around a lot, but what does it really mean?...
Feb 25, 2013 — When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.