The Criterion Collection
The Daily
May 31, 2024 — This week revives the ghost of Fellini and overflows with conversations about movies, movies, and more movies.
The Daily
May 29, 2024 — Berlin’s Kino Arsenal presents a series focusing on nature and the nonhuman in cinema.
May 29, 2024 — This Oscar-winning courtroom drama revolves around one of director Justine Triet’s most complex creations—a high-achieving female protagonist whose motivations remain tenaciously mysterious.
Essays
May 28, 2024 — In Karyn Kusama’s award-winning feature debut, Michelle Rodriguez delivers a smoldering performance as a young woman who finds in boxing a container for her grief, loss, and rage.
The Daily
May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.
The Daily
May 24, 2024 — The week wraps with a new Senses of Cinema, conversations with Ken and Azazel Jacobs and Jamie Nares, and essays on Peter Whitehead and Gillian Armstrong.
The Daily
May 23, 2024 — At a time of crisis for Argentinian cinema, an Argentinian director has won the top prize.
The Daily
May 22, 2024 — Critics in Cannes warmly welcome Rumours, Christmas Eve in Miller’s Point, and Eephus.
May 21, 2024 — The Senegalese filmmaker’s steadfast devotion to African autonomy led him to become a foundational contributor to the hard-won, dynamic flourishing of an independent cinematic tradition on his home continent.