The Criterion Collection
Dec 20, 2019 — The following account was scratched together in August 1990, when Wim Wenders’ Until the End of the World was still taking shape in the editing room. Apart from a basic rinse of copy editing, I’m offering it up essentially as is,...
The Daily
Oct 2, 2019 — Armando Iannucci’s The Personal History of David Copperfield opens this year’s bounteous edition.
Sep 10, 2019 — In this landmark melodrama, director Ritwik Ghatak channeled his grief over the destruction of his beloved homeland, Bengal, in the wake of the Partition of India.
The Daily
Aug 13, 2019 — As Toronto’s full lineup nears completion, New York looks to expand upon “our notions of what the moving image can do and be.”
The Daily
Feb 4, 2019 — All four of this year’s top prizewinners have been directed or codirected by women.
The Daily
Jan 3, 2019 — We look ahead to films by Martin Scorsese, Greta Gerwig, Paul Verhoeven, Hirokazu Kore-eda, and dozens more.
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
The Daily
Jul 19, 2018 — Damien Chazelle’s First Man will open Venice, and Alfonso Cuarón’s Roma will be the NYFF’s Centerpiece presentation.
May 24, 2018 — The late novelist’s work has proven to be an all but insurmountable challenge to screenwriters—but there’s hope.
The Daily
Mar 20, 2018 — “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound work continuing as the movie...