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Aug 29, 2025 — The Ringer ranks this century’s greatest on-screen turns and Joseph McBride champions John Ford’s final feature.

Aug 28, 2025 — Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.

Aug 27, 2025 — The summer’s been terrific for new movie magazines and filmmaker biographies.

Aug 26, 2025 — Alice Wu’s feature debut is a romantic comedy in which the most compelling relationship is the one between a young queer Chinese American woman and her long-widowed mother.

Aug 25, 2025 — In such provocative delights as Jamón jamón and Golden Balls, one of Spain’s most original directors celebrates the sensual pleasures of food and sex while capturing the rapid changes his country experienced at the turn of the millennium.

Aug 20, 2025 — He locked eyes with audiences in films by Pasolini, Soderbergh, Frears, Stephen Elliott, and Edgar Wright.

Aug 19, 2025 — Vittorio De Sica’s neorealist masterpiece captures the indifference and hostility of the adult world through the eyes of two young boys who share a bond stronger than that of family.

Aug 19, 2025 — In his fifth and sixth feature films, Edward Yang sought to uncover what was hidden in Taipei society, often in plain sight, looking past the city’s shiny skyline to the fault lines beneath the surface.

Aug 19, 2025 — The eighth edition brings the Quay Brothers, winners from Sundance and SXSW, and an Alain Tanner restoration.

Aug 18, 2025 — Further winners in Locarno include White Snail, God Will Not Help, and Tales of a Wounded Land.