The Criterion Collection
The Daily
Sep 30, 2020 — The new issue offers features on films by Gianfranco Rosi, Orson Welles, Ephraim Asili, and Nicolás Pereda.
Essays
Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...
Sep 29, 2020 — In this masterpiece from the father of modern Indonesian cinema, Usmar Ismail, a violent military culture grips the nation in the years following a brutal revolution.
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...
Sep 15, 2020 — When Claire Denis’s Beau travail (1999) first appeared on American screens, the critic Stephen Holden used a striking phrase to capture its embracing of bold opposites: “voluptuous austerity.” His characterization, widely quoted since, illuminates the film on many levels, and...
The Daily
Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.
The Daily
Aug 31, 2020 — Fans around the world remember an accomplished actor, a genuine movie star, and a generous role model.
Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...
The Daily
Aug 25, 2020 — The NYFF presents its inaugural Currents lineup, and the Berlinale’s acting awards are going gender-neutral.
The Daily
Aug 21, 2020 — A free film school in a French banlieue, a nineteenth-century inventor, and a lesbian classic are among this week’s highlights.