The Criterion Collection
Jun 24, 2020 — It was audiences, not critics, that made hits out of such movies as St. Elmo’s Fire (1985), Batman Forever (1995), and Phone Booth (2002).
The Daily
Jun 23, 2020 — Recent translations include intimate remembrances of Chris Marker and Maurice Pialat.
The Daily
Jun 18, 2020 — James Gray is switching gears, Pablo Larraín is teaming up with Kristen Stewart, and Kirill Serebrennikov is set to take on the life of Andrei Tarkovsky.
Jun 16, 2020 — Buster Keaton’s last great film, The Cameraman (1928), is his love letter to the machine that makes movies possible. He plays a humble street photographer who is smitten with a pretty secretary and follows her back to the newsreel office...
Features
Jun 15, 2020 — The hugely popular and prolific Italian actor Alberto Sordi relished playing rogues, characters riddled with foibles and weaknesses. In an interview with Positif’s Jean A. Gili in 1999, he revealed that his aim was to depict in a comic register...
The Daily
Jun 5, 2020 — A sampling of what’s been on our minds during this tumultuous and emotionally wrenching week.
On the Channel
May 28, 2020 — Check out what’s in store next month on our streaming service!
Essays
May 27, 2020 — “A filmmaker shows what his career will be in his first 150 feet of film,” François Truffaut once wrote. He was talking about Jean Vigo at the time, but he might as well have been talking about Martin Scorsese, whose...
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
The Daily
May 22, 2020 — This week’s round features the story behind John Cassavetes’s debut feature and conversations with Dan Sallitt and Jonathan Rosenbaum.