The Criterion Collection
Eclipse presents a selection of lost, forgotten, or overshadowed films in simple, affordable editions. Each series is a brief cinematheque retrospective for the adventurous home viewer.
Delve deep into the experiences, dreams, struggles, desires, and art of Black communities across the globe with these essential films.
These Criterion editions showcase Scorsese's unparalleled storytelling prowess and groundbreaking contributions to the art of filmmaking, offering an immersive journey into the gritty and profound landscapes of human experience.
The writer, philosopher, and director of Orlando, My Political Biography praises Spanish cinema masters Pedro Almodóvar and Carlos Saura, talks about the “visual therapy” of Jacques Tati and his love for the poetry of Chris Marker.
The prolific actor praises the old-school flavor of Cooley High, tells us about his first time seeing Edward James Olmos onstage, and reminisces about a chance encounter with Marlon Brando.
The legendary filmmaker talks about the brilliance of Targets, his memories of collaborating with a young Martin Scorsese, and his experiences as a story analyst at Twentieth Century-Fox and as a distributor of art-house classics like Amarcord.
The prolific German actor recalls the time he met Paul Morrissey on a plane, the festival encounter that led to his first film shot in the United States, and his experience working with Lars von Trier.
The front man of the band Neon Indian—who just released his debut solo album, World of Hassle—praises the “completely demented” Maîtresse, discusses the representation of Texas in True Stories, and gives us his best Peter Falk impression.