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Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 28, 2021 — The Contemporary World Cinema and Discovery programs are set, and the festival has added new gala and special presentations.

Jul 26, 2021 — The main competition boasts new work from Jane Campion, Pedro Almodóvar, Ana Lily Amirpour, and Pablo Larraín.

Jul 9, 2021 — This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.

Jul 6, 2021 — As the festival adds one last title to its lineup, attendees, vaccinated or tested, are once again streaming up and down the Croisette.

Jun 11, 2021 — We’re watching new restorations and assessing the states of Bollywood and the modern musical.

Jun 11, 2021 — “The whole world is dying of panicky fright.” The opening on-screen text of Todd Haynes’s Poison promises an unsettled experience. Yet these words also might as well be predicting the puritanical response to the film that erupted from conservative quarters. After winning...

Jun 7, 2021 — The Cannes sidebar focusing on promising newcomers presents its sixtieth-anniversary selection.

Jun 4, 2021 — We’re catching up with the new issues of Bookforum, the Brooklyn Rail, and Field Notes and delving into the work of Bill Gunn and Tsai Ming-liang.