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White of the Eye

Aug 24, 2009 Whit Stillman took a risk when he set his third film during (and titled it after) the disco era, whose erstwhile existence, from almost the moment it ended, has seemed to embarrass most Americans more than Watergate. One would think...

May 12, 2008 This intensely personal work about a self-destructive young man would help alleviate Louis Malle’s doubts about his career.

Feb 12, 2007 Vittorio De Sica’s seminal drama renounces “egoism” for collective concern, envisioning a cinema of impassioned social conscience.

Apr 24, 2006 M ade in 1965 and still considered by many to be Marco Bellocchio’s masterpiece, Fists in the Pocket foreshadows the years of student protest in a family tragedy bordering on horror. This seminal first feature catapulted the twenty-six-year-old Bellocchio to...

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

July Books

The Daily

Jul 21, 2025 Summer offers new biographies and memoirs, expansively big ideas, and more than a few curious fictions.

Jan 9, 2023 The films in the Criterion Channel collection Free Jazz chronicle the development of a deeply experimental music that has baffled and enthralled listeners in equal measure.

November Books

The Daily

Nov 19, 2020 This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.

Feb 9, 2018 New York. Tonight at Light Industry, Tobi Haslett will introduce a screening in memory of the late Mark E. Smith. “Charles Atlas’s Hail the New Puritan [1986; image above] now looks like a glinting frieze from a vanished London, a...

Dec 6, 2017 “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

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