The Criterion Collection
Sep 24, 2024 — Emerging out of the mass death, cultural ferment, and semiotic tumult of the 1990s, this trio of deliriously profane films glares at American youth culture and gives zero shits if it looks back.
The Daily
Sep 4, 2024 — The festival launched RaMell Ross’s Nickel Boys and brought in a slew of critical favorites fresh from their premieres in Venice.
The Daily
Jul 23, 2024 — The festival will premiere new work from Pedro Almodóvar, Alice Rohrwacher, Alfonso Cuarón, and Athina Rachel Tsangari.
The Daily
Apr 22, 2024 — In her new book on the Warhol superstar, “Carr not only meets Darling on her own terms but insists that we do, too.”
Sep 6, 2023 — Poor Things and The Beast are critical favorites, Ferrari comes alive when the big race is on, and verdicts are split on The Killer.
The Daily
Jun 27, 2023 — Along with revivals and fresh experimental work, the festival presents some of the best films of the year so far.
The Daily
Mar 3, 2023 — The reconstruction and preservation of history are crucial elements of all of this week’s stories.
The Daily
Sep 15, 2022 — Spielberg finally tells the story that has shaped so many of his films, and critics are loving it.
Sep 28, 2021 — Melvin Van Peebles’s feature debut riffs on the French New Wave to tell a love story that portrays interracial intimacy and unflinchingly confronts the distortions of racism.
The Daily
Jul 19, 2021 — The Palme d’Or, Caméra d'Or, Un Certain Regard Prize, and Palme d’Or for best short film have all gone to women directors.