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The Demon

Dec 9, 2002 What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.

Jun 26, 2000 Kevin Smith writes about his third feature as a sort of penance/valentine for the woman who made him grow up.

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Jan 29, 2026 Jonathan Glazer’s enigmatic second feature explores the terrors of being desperate for love—and the vulnerability, loneliness, and difficulty in understanding other people that might drive this state.

Nov 5, 2025 It’ll be a packed four days of pre-Code comedy, drama, and spectacle.

May 16, 2025 There’s a lot going on besides Cannes: Kira Muratova, Glauber Rocha, Mikio Naruse . . .

Sep 12, 2024 Chime, a French remake of Serpent’s Path, and Japan’s Oscar submission, Cloud, have all premiered within months of each other.

Jul 29, 2024 Made in an era when self-consciously postmodern takes on the Bard were popular, Gus Van Sant’s melancholy road movie mines the ambiguously queer tensions in the history play Henry IV.

Jun 14, 2024 Featured this week are a breakthrough lesbian comedy, a Native American road movie, and a portrait of a Palestinian family.

May 28, 2024 With just a few exceptions, critics are generally pleased with this year’s awards.

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