Take Out

Feb 2, 2024 — Film Forum’s series of thirty films centering on women loving women is “eccentric, enduring, and genre-encompassing.”

Jan 31, 2024 — Shifting recklessly between realism and surrealism, this drug-fueled odyssey from director Danny Boyle is a propulsive satire of depleted masculinity in urban Scotland.

Jan 31, 2024 — MoMA presents a series of musicals, comedies, and melodramas injected with Buñuel’s singular surrealist vision.

Jan 30, 2024 — A kaleidoscopic work of literary adaptation, Dee Rees’s fourth feature film is anchored in a powerful fraternal bond between two men from opposite sides of the color line.

Jan 29, 2024 — Jurors, audiences, and critics seem to agree that 2024 is off to a promising start.

Jan 23, 2024 — Close contenders include Poor Things, Killers of the Flower Moon, Barbie, and Maestro.

Jan 22, 2024 — The festival will launch new work from Olivier Assayas, Mati Diop, Abderrahmane Sissako, Hong Sangsoo, and Matías Piñeiro.

Jan 19, 2024 — We’ve been reading about Francis Ford Coppola, James Baldwin, Chantal Akerman, and Cary Grant and Randolph Scott’s barely kept secret.

Jan 17, 2024 — Steven Soderbergh contemplates writing his first novel, while Keanu Reeves already has; plus notes on Barbara Stanwyck, noir, and more.

Jan 16, 2024 — Drawing on the influence of a wide range of genres, John Sayles creates a densely layered narrative that unfolds across two timelines and explores the long-hidden secrets of a small border town in Texas.