May 18, 2020 The beloved stalwart of the Seattle filmmaking community and accomplished director of high-profile television series was only fifty-four.

May 14, 2020 Restoration Spotlight I was just coming of age as a moviegoer when digital video hit the big screens, around the turn of the twenty-first century. At the time, I remember being every bit as entranced by the gritty horror of...

Cannes Stories

The Daily

May 14, 2020 Sorely missing the festival this year, filmmakers and critics swap memories and reflections.

May 8, 2020 The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...

May 6, 2020 Once seen, the opening credits of Juraj Herz’s pitch-black satire The Cremator (1969) are not soon forgotten. At the beginning of the handcrafted, collage-style sequence, a still close-up of the protagonist’s head, from the eyes up, takes over the screen,...

May 4, 2020 A new 976-page biography delves into the life and work of an ultimately unknowable man.

A Virtual Season

The Daily

Apr 30, 2020 Festivals scheduled through August are taking their editions online, while studios and theater chains face off over digital releases. Here’s the latest on the impact of the virus.

Apr 21, 2020 What happens to the films slated to premiere at Cannes 2020? After all, the fall festival season is beginning to look pretty iffy, too.

Apr 17, 2020 Tsai Ming-liang, Charlie Chaplin, Wim Wenders, and Albert Serra are just some of the names in the news this week.

Apr 16, 2020 Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

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