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Old Man Khottabych

May 26, 2022 The top awards at this year’s Critics’ Week go to stories of young people with uncertain futures.

May 26, 2022 Shimmy into summer with our centennial tribute to Judy Garland and two career-spanning series dedicated to queer filmmakers Ulrike Ottinger and Terence Davies.

May 25, 2022 Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 23, 2022 A contemporary reimagining of Au hasard Balthazar becomes an unlikely contender for the Palme d’Or.

May 18, 2022 Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

May 10, 2022 Joseph Losey’s sumptuous portrait of Nazi-occupied Paris sees an icy Alain Delon as an art dealer on a Kafkaesque quest for identity.

May 10, 2022 The director of Ex Machina and Annihilation returns, and many critics have questions.

May 4, 2022 The twenty-fifth edition offers lavish decadence, experimental poetry, and timely poignance.

Apr 27, 2022 In his uncompromising chronicles of modern Japanese society, the celebrated filmmaker shows a deep understanding of both larger-than-life individuals and collectives of ordinary citizens.

Apr 25, 2022 During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...

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