Last Words

Sep 3, 2007 — Ataxi, without a client in the car or anywhere else in sight, goes around Helsinki’s Senate Square, a place that resonates with history, having seen more patriotism, class struggle, and celebration than any other place in faraway Finland. It stood...

Aug 20, 2007 — David Mamet’s debut film was a welcome throwback to the primacy of character and careful story construction, at a time when narrative intricacy was in short supply on American movie screens.

Jul 9, 2007 — Set almost entirely in a single house, Hiroshi Teshigahara’s eloquent collaboration with writer Kobo Abe shows both his powerful staging and his love of fine, almost microscopic, detail.

Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.

Jun 11, 2007 — Claude Berri’s witty comedy-drama depicts Nazi sympathizers with three-dimensional candor, neither whitewashing nor apologizing for their misguided ideas.

Apr 16, 2007 — Following debates about tensions between police and immigrant communities in France, director Mathieu Kassovitz began a public correspondence with the right-wing minister of the interior Nicolas Sarkozy.

Mar 16, 2007 — The first of his films to be shown outside Japan, Ichikawa Kon’s twenty-seventh feature dramatically raised the director’s profile.

Feb 19, 2007 — A powerful document of anti-Nazi propaganda, Powell and Pressburger’s war drama consolidated their partnership and showed a way forward for British cinema.

Feb 12, 2007 — In this classical whodunit made just after the close of World War II, swirling sexual frustrations and resentments find expression in a series of apparently motiveless murders.

Jan 16, 2007 — The marvel of Mouchette inheres in the elegance, obstinacy, and capaciousness of Bresson’s double-mindedness.