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INDEPENDIENTE

Oct 24, 2019 The nominations are out for the Gotham Awards, the IDA Documentary Awards, and the AACTAs.

MoMA’s Back

The Daily

Oct 21, 2019 Newly renovated and expanded, New York’s Museum of Modern Art integrates the story of cinema into its history of modernism.

Oct 4, 2019 Artists’ and amateurs’ videos, Ida Lupino, and TIFF Cinematheque programmers’ notes all figure in this week’s round.

Oct 3, 2019 By the time Charlie Chaplin was making The Circus, from 1925 into 1928, his production company was a smooth-running organization. Numerous problems plagued the comic during the shoot—scratches on the first month of rushes, a fire that damaged the studio...

Oct 2, 2019 Retrospectives in New York and on the Criterion Channel mark the hundredth birthday of the pioneering filmmaker.

Sep 30, 2019 Check out what’s in store next month on our streaming service!

Sep 30, 2019 At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...

Sep 27, 2019 This week, we’re pulling up from the archives landmark journals, behind-the-scenes photos, and movies from an unfairly maligned decade.

Sep 25, 2019 Here’s an overview of how fifteen films in the NYFF’s Main Slate have been faring since premiering in Cannes.

Sep 17, 2019 Fusing the melodrama of Douglas Sirk and the ballyhoo of William Castle, John Waters’ sixth feature, Polyester (1981), was a departure from the scrofulous 16 mm mode of production he had made his cult name plying to midnight-movie crowds in...

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