House

Apr 24, 2020 — The range this week stretches from silent Soviet classics through Hollywood’s heyday and the Czech New Wave to the revolutions of the late twentieth century.

Apr 20, 2020 — This month sees new books by and about Woody Allen, Miranda July, and Michael Snow as well as fresh translations and collections of criticism.

Apr 16, 2020 — Performances If Richard Milhous Nixon, the thirty-sixth president, continues to inspire a morbid fascination in some of us, the reasons for this extend beyond the obviously exceptional aspects of his career—his reelection in 1972, one of the largest landslide victories...

Apr 16, 2020 — Olivia Laing and Rebecca Mead find restorative consolation in the writing of the renowned filmmaker, painter, and gardener.

Apr 15, 2020 — While three parallel programs have cancelled, Cannes still holds out hope for a 2020 edition. Here’s the latest on how the virus is affecting cinema.

Apr 15, 2020 — 1.In 1944, after an intense bidding war, Twentieth Century-Fox studio head Darryl Zanuck acquired the film rights to Ben Ames Williams’s Leave Her to Heaven for $100,000, then an exorbitant price for an unpublished work. Later that year, Williams’s mystery...

Apr 14, 2020 — Whether or not you believe it is the greatest year of all for the Hollywood studio system, the wonder of 1939 is the sheer depth of its bench. On a ten-movie best-picture ballot, the Oscars found no room to nominate...

Apr 10, 2020 — Songbook Edward Yang’s A Brighter Summer Day is the War and Peace of Taiwanese juvenile-delinquent movies. It is also part of a tradition of films that use the process of a character slowly learning a single song as a narrative-building...

Apr 9, 2020 — The American Cinematheque premieres a delightful five-minute film that Varda made in 2008.

Apr 2, 2020 — Artforum and Bookforum join Filmmaker and Film Quarterly in offering free access to their latest issues.