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Come With Me, My Love

Apr 5, 2019 Two-Lane Blacktop A longtime Criterion contributor, Kent Jones has written for us on everything from the glories of studio filmmaking to the most daring and cerebral of art-house auteurs. But regardless of the subject he’s set his sights on, he’s...

Dec 22, 2017 “There are two basic types of Errol Morris film,” writes Evan Kindley in the Nation: One is the character study of an obsessive individual pursuing a difficult, perhaps impossible goal. Morris loves his Ahabs: the animal-obsessed eccentrics of Fast, Cheap...

Jun 21, 2017 The interview of the day, hands down, dates back half a century. Via Movie City News comes word that American Cinematographer has posted Herb A. Lightman’s interview with Alfred Hitchcock, which originally ran in its May 1967 issue. What makes...

Jul 17, 2014 When I was in high school in the late ’70s, one of my closest pals was a semiprofessional magician. A top-flight pianist as well, Charles was making some tidy sums as an entertainer in restaurants and clubs around North Jersey...

Jun 6, 2012 A killer breakfast

Oct 15, 2050 Voice-over narration has existed since the beginnings of cinema and has been an integral part of some of the great masterworks of narrative film, from The Magnificent Ambersons to Double Indemnity to Jules and Jim to Taxi Driver. It spans...

Sep 29, 2021 Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.

Jul 16, 2018 The legendary baseball writer talks about the no-nonsense pleasures of one of the all-time great sports movies and the classic essay he wrote about it.

Jul 2, 2018 Josef von Sternberg may have been one of cinema’s original micromanagers, but his films are testaments to longstanding collaborations with brilliant artists and technicians.

May 14, 2017 Yasujiro Ozu’s ode to childhood interweaves observations of human behavior with the simple surfaces of quotidian life in Tokyo.

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