The Criterion Collection
Oct 23, 2006 — Throughout the sixties and seventies, the Italian director created a series of political dramas that were at once provocations, exposés, puzzles, and acts of virtuosity.
Essays
Oct 16, 2006 — Lodge Kerrigan’s grim, lucid dispatch from the murky depths of madness situates itself inside the tormented consciousness of a schizophrenic.
Aug 21, 2006 — A key Gen-X comedy about postgraduate angst, Noah Baumbach’s debut feature is an uproarious union of wit and trauma.
May 22, 2006 — Barbara Kopple’s detailed analysis of a Kentucky mine workers’ strike is a virtual hub of urgent themes, formal tendencies, political debates, and material practices that define post-sixties documentary in America.
Apr 24, 2006 — This influential crime thriller, designed purely as a genre exercise, is the first in the long series of anomalies that was Louis Malle’s career.
Essays
Mar 27, 2006 — Louis Malle’s World War II–era drama follows a young collaborationist in rural France and asks how people with no interest in politics become active participants in brutal torture.
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Essays
Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.
Mar 14, 2005 — A director is naturally a man like everyone else. Yet his life isn’t normal. For us, seeing is a necessity. For a painter, too, the problem is to see. But while the painter has to discover a static reality, or...
Essays
Mar 14, 2005 — The appearance of this 1966 film signaled not only the debut of Volker Schlöndorff as a major international filmmaker but also the beginnings of what would become known as the New German Cinema, one of the most important film movements...