The Criterion Collection
James Quandt is a frequent contributor to Artforum and has published several articles in the New York Review of Books and essays in various anthologies, including on Andrei Tarkovsky, Jean-Luc Godard, Jia Zhangke, Hou Hsiao-hsien, Nagisa Oshima, New French Extremity,...
Paul Coates is a professor emeritus of film studies at Western University, Ontario. Previously, he taught at Georgia, McGill, and Aberdeen, and his books include The Story of the Lost Reflection (1985), The Gorgon’s Gaze (1991), Lucid Dreams: The Cinema...
John Simon has written for more than fifty years on theater, film, literature, music, and the fine arts for such publications as the Hudson Review, the New Leader, the New Criterion, the National Review, New York magazine, the New York...
David Thompson writes on film, coedited the book Scorsese on Scorsese, and directs arts documentaries, often on filmmakers, including Jean Renoir, Milos Forman, and Robert Altman.
Tony Rayns is a London-based critic with a special interest in the film cultures of East Asia. He has been awarded the Kawakita Prize (2004) and the Foreign Ministry of Japan’s Commendation (2008) for services to Japanese cinema. His books...
Howard Hampton has written for Film Comment, Artforum, and many other publications. He is the author of Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses.
Patrick McGrath is the author of three story collections and ten novels, most recently Last Days in Cleaver Square.
David Kalat is a film historian who has been in love with the fantastique since his misspent childhood. He has written several books, including The Strange Case of Dr. Mabuse and, most recently, Too Funny for Words: A Contrarian History...
Tim Lucas is a novelist, critic, biographer, monographer, and lyricist, as well as the former editor and copublisher of the influential Video Watchdog magazine. The only journalist granted full access to the set of Videodrome, he is now the audio...
Christopher Faulkner is a professor of film studies and the director of the interdisciplinary Cultural Mediations Ph.D. program at Carleton University, Ottawa, Canada. He is the author of The Social Cinema of Jean Renoir and, with Olivier Curchod, La Règle...