The Criterion Collection
The director and cowriter of WALL·E shares why Paper Moon and Local Hero speak to his heart, reminisces about the privilege of collaborating with Albert Brooks, and talks about why Matewan is an essential film for everyone to see.
The filmmaker and author shares how Hollywood Shuffle and Slacker inspired him to make movies, talks about why actors make great directors, and selects favorites such as His Girl Friday and Bull Durham.
The writer and director of Vermiglio expresses her love for the poetry of Ermanno Olmi, praises how Michael Haneke’s films cut right to your heart and mind, and celebrates the emotional power of The Piano.
The actor and author raves about the visual beauty of The Color of Pomegranates, shares his love for Debbie Harry and her performance in Videodrome, and reflects on the formative experience of seeing River Phoenix in My Own Private Idaho...
The actor and star of The Last Showgirl talks about being profoundly inspired by Barbara Loden’s Wanda, shares her passion for the poetry of Abbas Kiarostami, and praises the style and craft of actors like Romy Schneider, Katharine Hepburn, and...
The director and cowriter of Nickel Boys praises The Qatsi Trilogy as “vital for understanding the visual world,” quotes from Chris Marker’s Sans Soleil, and talks about watching Bruce Lee movies with his dad.
The legendary director joins the star of his new film Hard Truths in the Criterion Closet, where they share their love for Akira Kurosawa and Charles Burnett, reminisce about early moviegoing experiences, and select favorites for each other.
The musician and Pulp front man shares how films like Blue Velvet and Meantime altered his view of cinema, talks about collaborating with Wes Anderson and Danny Boyle, and decides he’s finally ready to watch Salò, or The 120 Days...
The actor and producer praises Anthony Hopkins’s performance in The Silence of the Lambs, shares why Badlands has one of cinema’s best car chases, and celebrates an Australian favorite, Breaker Morant.
The legendary director shares the importance of learning from the work of Krzysztof Kieślowski, talks about how Straw Dogs sparked his desire to pursue filmmaking, and selects box sets by two of his favorite filmmakers, Martin Scorsese and Masaki Kobayashi.