Jun 10, 2014 Douglas Sirk once said: “This is the dialectic—there is a very short distance between high art and trash, and trash that contains an element of craziness is by this very quality nearer to art.” When All That Heaven Allows was...

Jun 9, 2014 In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...

Jun 9, 2014 Your vigilance as an artist is an amorous vigilance, a vigilance of desire.—Roland Barthes to Michelangelo Antonioni, 1979 It’s lamentable that Michelangelo Antonioni, one of the most fashionable vanguard European filmmakers during the sixties, has mainly been out of fashion...

Jun 6, 2014 The Daily• Sam Fuller, D-Day veteran • Happy birthday, Chantal Akerman • When John Cassavetes and friends drove Dick Cavett mad • A fresh look at the career of Vanessa Redgrave • Hard Day’s hard facts • Eye-opening makeup effects...

Jun 5, 2014 Repertory Picks San Francisco moviegoers beware—the king of the monsters is stomping into town this weekend. Ishiro Honda’s 1954 classic Godzilla (a.k.a. Gojira) plays at the city’s legendary Castro Theatre on Sunday, June 8. Many remakes and imitators have come...

May 30, 2014 The long relationship between director and festival has never been without its complications.

May 27, 2014 Howard Hawks was both a skillful Hollywood craftsman and a deeply personal artist, and this western of uncommon wit and grandeur is among his greatest and quirkiest films.

May 19, 2014 As in his other films, the world of Abbas Kiarostami’s latest is one of simulation, not-quite-realness, and unexpected tenderness.

May 16, 2014 Did You See This?• Over a hundred years of special effects in three minutes • Cannes queen Jane Campion on her career • Life on the Croisette • A history of eating in the movies • British cinema gets sticky....

May 15, 2014 It wouldn’t be hyperbole to say that Overlord features some of the most unbelievable images in the entire Criterion Collection. This is because of the way director Stuart Cooper integrated archival footage from World War II battles into his fictional...

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