The Goalkeeper’s Fear of the Penalty

Oct 19, 2017 — New York. “Feverish, fragmented, expressionistic, The Sin of Nora Moran (1933) is one of the most formally daring films to come out of Hollywood in the early sound era,” begins Imogen Sara Smith in her overview for Film Comment of...

Oct 19, 2017 — Even as we mourn the loss of Danielle Darrieux, we need to remember a few more names and faces that have left their marks on cinema, and we begin with French actor Jean Rochefort. “I am absolutely stunned,” writes Terry...

Oct 19, 2017 — Danielle Darrieux, who turned 100 on May 1 and appeared in over 110 films, perhaps most famously in three directed by Max Ophuls, has passed away, reports the AP.“Unlike most branded stars whose appeal can be captured in one well-chosen...

Oct 17, 2017 — In this lavishly mounted epic, Stanley Kubrick captures the ghostly ephemerality of a vanishing world with paradoxical immediacy.

Oct 12, 2017 — The Chicago International Film Festival opens tonight with Reginald Hudlin’s Marshall and runs through October 26, when it closes with Guillermo del Toro’s The Shape of Water, which won the Golden Lion in Venice (reviews).“Some biopics go for sweeping and...

Oct 12, 2017 — Last week, after years of rumors and aborted attempts to bring it to light, Hollywood’s “open secret” finally became a story fit to print. On Thursday, October 5, Jodi Kantor and Megan Twohey reported for the New York Times that...

Oct 10, 2017 — New York. “It doesn’t seem like a coincidence that the Museum of Modern Art would screen a film series called Black Intimacy mere months after the Academy Awards had three films in its Best Picture category—Fences, Hidden Figures, and eventual winner Moonlight—that mostly focused on intimate...

Oct 7, 2017 — “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabaret for Martin Scorsese’s wonderful Hugo, Selznick has...

Oct 6, 2017 — Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental”—are quite broad enough to encompass all that goes...

Oct 6, 2017 — Kevin Jerome Everson has a nine-minute short screening as part of Projections’ Program 1: Speculative Spaces at the New York Film Festival. In IFO, “which stands for ‘Identified Flying Object,’ African Americans look up at the skies and report alien...