The Criterion Collection
Sep 30, 2016 — Amy Fine Collins is special correspondent to Vanity Fair, where for over twenty years she has written features about fashion, art, Hollywood, and society. An arbiter and owner of Vanity Fair’s international best-dressed list since 2003, she was inducted into...
Sep 7, 2016 — Jenni Olson is an acclaimed filmmaker, writer, archivist, LGBT film historian, and online pioneer. Since premiering at Sundance in 2015, her innovative feature-length essay film The Royal Road, which reflects on an array of topics ranging from the Spanish colonization...
Cinema history is dotted with thunderous works of art that announced their makers’ brilliance right out of the gate.
The history of cinema: one hundred years of do-overs. But no matter how hard the remakers try, no one can surpass these originals.
Dec 7, 2006 — Almost exactly twelve years ago, we were fervently working on the launch of a big website with tons of content called voyagerco.com. This was in the fall of 1994, and if you're wondering how long ago that was in web...
Spend Mother’s Day with some of the most memorable maternal figures in film history.
The television host, writer, and performer talks about Ralph Fiennes in The Grand Budapest Hotel and how comedic performances aren’t often given the respect they deserve, praises Miller’s Crossing for having “the best hat work in cinema history,” and shares...
The director and cowriter of The Brutalist selects three favorites by Luchino Visconti, praises Larisa Shepitko as one of the greatest directors in the history of cinema, and talks about the hypnotic, endlessly watchable The Mother and the Whore.
This American auteur’s uncompromising films are paradigm-shifting explorations of Black history, racism, and urban survival.
This Senegalese director—one of the most important figures in the history of African cinema—made fiercely political films that have helped bring global awareness to the struggles of postcolonial societies.