The Criterion Collection
Jan 11, 2009 — What happened when Bernardo Bertolucci went to see Stop Making Sense in Florence? Well, as he confessed to director Jonathan Demme, he not only loved the film but was also stunned by (and even a little envious of) the response...
Jan 8, 2009 — The Australian Centre for the Moving Image begins a retrospective of the film work of groundbreaking photographer and multimedia artist William Klein on January 22, and to accompany its fourteen-film program, critic and Criterion contributor Adrian Martin has written an...
Jan 7, 2009 — If you’ve ever wanted to know more about Criterion’s cover designs for the films of Wes Anderson, check out this week’s issue of Time Out Chicago. In “5 Minutes with Ian Dingman,” Jake Malooley interviews the artist who supplied the...
Jan 6, 2009 — Bernardo Bertolucci’s Oscar-winning film is not just an epic but also a small film, one in which, somehow or other, the scope of David Lean has been enriched with the vision of Ozu.
Jan 5, 2009 — The National Society of Film Critics announced its 2008 awards this week, and Criterion won a special honor for the DVD release of White Dog. The esteemed organization, founded in 1966 and made up of the country’s leading film critics,...
Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...
Dec 25, 2008 — Photo GalleriesNewspaper columnist turned producer and screenwriter Mark Hellinger wanted New York City to be the main character of a crime film he was working on, ultimately called The Naked City, after the landmark book by tabloid newspaper photographer Weegee....
Dec 21, 2008 — In 1962, Roberto Rossellini called a press conference in a bookshop in Rome and announced that the cinema was dead. “There’s a crisis not just in film but culture as a whole,” he explained. Increasingly, Rossellini had understood the great...
Dec 17, 2008 — Sellout crowds have caused New York's Film Forum to extend its run of the new Janus Films restoration of Amarcord for another six days, until December 23. So, New Yorkers, it's not too late to see this “fun-house tour through...
Dec 17, 2008 — ANew Year’s treat from the Film Society of Lincoln Center: Jacques Tati’s supersized comic odyssey Playtime will be shown in its original, rarely screened 70 mm format at the Walter Reade Theater. If you haven’t seen this visionary work, which...