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Jul 30, 2021 — First: conscious neglect and budget cuts are threatening cinema’s legacy. Then: this week’s highlights.

Jul 29, 2021 — As André Bazin put it, Marker created “a new and modern reality based as much on language and words as on the power of the image.”

Jul 13, 2021 — Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.

Jul 13, 2021 — One of the most remarkable Black films released in the 1990s, Bill Duke’s Deep Cover (1992) is an uncompromising film noir that uses the so-called war on drugs as its backdrop. The story follows Russell Stevens (Laurence Fishburne) as he...

Jul 12, 2021 — The British director’s autobiographical sequel is one of the most enthusiastically reviewed films at Cannes so far.

Jul 6, 2021 — The fourth of Andrei Tarkovsky’s seven features is his most oneiric and resistant to interpretation, drawing from the director’s own childhood memories to create a fluid sense of history.

Jun 28, 2021 — Next month brings a twenty-seven-film spotlight on the neonoir thrillers of the post-studio-system era, a survey of art-house animation from around the world, and more.

Jun 25, 2021 — 1. Visions of Eight (1973) was the brainchild of producer David L. Wolper, whose film The Hellstrom Chronicle won the Academy Award for best documentary in 1972. Other notable credits of his include Willy Wonka & the Chocolate Factory (1971)...

Jun 23, 2021 — C. W. Winter and Anders Edström’s eight-hour The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) comes to Los Angeles and New York in July.

Jun 17, 2021 — On our minds this week: Lizzie Borden, Jenni Olson, Dorothy Arzner, Marguerite Duras, Jacques Rivette, and female detectives on television.