Too Young to Love

Jul 2, 2018 — The sweetness and aggression of female erotic pleasure take center stage in Pussy, an imaginatively stylized animated short now playing on FilmStruck.

May 29, 2018 — John Schlesinger’s Midnight Cowboy is a milestone along several different paths of movie history, all of which converged at the majestically seedy crossroads of Times Square in the spring of 1968.

Mar 14, 2018 — Bette Davis struck a blow against expectations of pliant female loveliness and grace with her role as a no-nonsense teacher in The Corn Is Green.

Jan 19, 2018 — “Rachel (Kathryn Hahn) and Richard (Paul Giamatti), the beleaguered bohemian-geek couple at the center of Private Life, have been trying, through fertility treatments, to get pregnant for years,” begins Variety’s Owen Gleiberman. Private Life “is a comedy of fragile hopes...

Jan 17, 2018 — “My appreciation for his inspiring and innovative cinema grows deeper as the years go by,” writes Mehrnaz Saeed-Vafa in an essay that Jonathan Rosenbaum’s posted on his site, “Reflections on Kiarostami’s Two-Way Mirrors.” A new and expanded edition of their...

Nov 20, 2017 — “Charles Manson, the hippie cult leader who became the hypnotic-eyed face of evil across America after orchestrating the gruesome murders of pregnant actress Sharon Tate and six others in Los Angeles during the summer of 1969, died Sunday after nearly...

Oct 28, 2017 — We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Sep 4, 2017 — “Greta Gerwig didn’t get much sleep leading up to the Friday premiere of her directorial debut, the coming-of-age dramedy Lady Bird, at the Telluride Film Festival,” writes Josh Rottenberg, introducing his interview with the filmmaker for the Los Angeles Times....

Jul 18, 2017 — With a weeklong run of our new restoration of Desert Hearts opening at the IFC Center in New York, we spoke with director Donna Deitch about this landmark of LGBT filmmaking.

May 22, 2017 — “Michael Haneke is back to many of his old tricks in Happy End, which enfolds the child psychopathy of Benny’s Video, the bourgeois nightmare of Hidden, the euthanasia theme of Amour, and the racial discomfort of Code Unknown into a...