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Too Beautiful for You

Mar 2, 2021 Anyone looking to demonstrate the range of this year’s competition might set Hong Sangsoo’s Introduction next to Dominik Graf’s Fabian: Going to the Dogs.

November Books

The Daily

Nov 19, 2020 This month, we’re sorting through new books featuring—for starters—Jean-Luc Godard, Marguerite Duras, Billy Wilder, Geraldine Chaplin, and Harmony Korine.

Oct 7, 2020 Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...

Jul 11, 2019 Once again, the Cineteca di Bologna has presented a richly varied showcase of discoveries, rediscoveries, and new restorations.

Mar 22, 2018 David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...

Jul 26, 2017 Shot by Carlo Di Palma, from Rome to New York is the title of the Film Society of Lincoln Center series celebrating the work of the cinematographer who worked with some of Italy’s greatest directors before moving to the States...

Jun 21, 2017 Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian Marclay’s The Clock (2010)—“is followed...

Sep 28, 2016 The salacious sixties phenomenon of the Dirty Book made its way to the big screen in this adaptation of Jacqueline Susann’s best seller.

Jun 9, 2014 In the history of cinema, there have been several notable collaborations between a director and an actress over a series of films. Think of D. W. Griffith and Lillian Gish back in the silent era, Josef von Sternberg and Marlene...

Nov 18, 2013 When Tokyo Story was released in late 1953, Western audiences were just being exposed to Japanese cinema. Akira Kurosawa had made his breakthrough with Rashomon three years earlier, and Kenji Mizoguchi was moving to the forefront of the international festival...

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